TunezandTrendz

 “4play” by look at fiona unfolds as a lush, art rock anthem that captures the restless energy of yearning and desire with poetic intimacy. The song’s core revolves around the universal experience of tossing and turning in bed, consumed by thoughts of a crush—an emotional landscape both tender and charged. The lyrics weave a delicate tapestry of sensations and emotions: from the visceral “to feel her pulse / poke the monster” to the evocative “elastic smile / thinning dream,” the imagery is vivid and sensuous, inviting listeners into a personal, almost cinematic moment of vulnerability and longing. The repeated questioning of “could you swing / everlasting?” adds a haunting, almost hypnotic quality, as if probing the possibility of a lasting connection amid fleeting feelings. Musically, the art rock frame provides a lush, textured backdrop that complements the lyrical themes perfectly. The ebb and flow of the melody mirror the restless nights and fluttering emotions described, whil...

 Madi C’s song “Figure Out”is a raw and heartfelt exploration of emotional turmoil and the struggle to find clarity in a complicated relationship. From the very first lines, the song captures that universal feeling of needing space and time to process intense emotions, while still holding onto the person you care about deeply. The lyrics convey vulnerability with honesty — phrases like “I put my feelings on standby” and “I’m just tryna escape and leave no trace” paint a vivid picture of someone caught between love and self-preservation. The recurring theme of confusion and searching for answers (“Gotta figure out”) resonates strongly, reflecting the emotional limbo many experience when facing heartbreak or uncertainty. Musically, the song’s pacing and tone complement the introspective mood. The subtle tension in the delivery mirrors the internal conflict, and the imagery of drinking to drown feelings adds a poignant layer to the storytelling. What stands out is Madi C’s ability to ...

 "Lazy" by Emily Sara is a deeply relatable song that perfectly captures the pressure of modern "hustle culture." By starting with the weight of family expectations and the specific burden of being an eldest daughter, the lyrics paint a vivid picture of someone who feels they must always be "on." The song is especially powerful because it doesn't just complain about being busy; it honestly admits that the "grind" can be addictive, even when it’s causing a total burnout. The metaphor of a ballerina smiling through the pain is a great touch that shows how we often perform perfection while struggling inside. Ultimately, the song is a moving look at the anxiety of being unable to sit still, making it an anthem for anyone who feels guilty the moment they try to relax. Stream Lazy here! 

 Avicide’s “Dissect” is a raw and visceral plunge into themes of vulnerability, control, and emotional torment, wrapped in stark, unflinching imagery. The song’s lyrics confront the listener with graphic metaphors of bodily dissection and consumption, symbolizing a deep surrender to external forces—whether emotional, psychological, or relational. The opening lines—“Cut my chest and swallow what you see / Boil the rest and eat me”—immediately set a tone of brutal exposure and self-sacrifice. This is not a gentle unveiling but a violent, almost ritualistic offering of oneself. The repeated plea to “Dissect Me” reinforces a complex dynamic of control and submission, evoking feelings of being both a willing participant and a victim. Avicide’s choice of words like “My blood is bitter, and my tongue so sweet” adds layers of contradiction and tension, suggesting a bitter truth wrapped in appealing or deceptive facades. The stark admission, “I’m just meat,” strips identity down to its most...

 Dareen and Kailey Wilson's new song "Good Enough" is a hauntingly vulnerable exploration of the intersections between unrequited love, betrayal, and deep-seated insecurity. The lyrics paint a portrait of a narrator caught in an exhausting cycle of trying to "treat you right" and "look after you," only to be met with daily betrayal. This external conflict serves as a catalyst for a profound internal crisis, as the narrator begins to lose their sense of self, questioning what their true reflection is and what they simply wish to see. The song is particularly effective in how it uses vivid, nature-based metaphors to illustrate a sense of displacement; lines describing stars on their face and ocean waves caressing their waist contrast sharply with the narrator’s desire to be "bone dry" and their persistent crying. This imagery heightens the central plea of the track: a desperate wish for the subject to look past the physical body and "see m...

 "i forget we're friends" by Holly Nicholson is a poignant and deeply relatable exploration of the friction that exists within unrequited love, capturing the specific, quiet agony of wanting more from a person who has already drawn a firm boundary. The song masterfully navigates a relationship that feels like both a sanctuary and a cage, perfectly describing the "star-crossed" feeling of being in love with a friend who doesn’t feel the same way. By balancing a sense of cozy intimacy with the daily frustration of hiding one's heart to save the connection, the track excels at using lived-in, sensory details to heighten the emotional stakes. For instance, the narrator uses vivid imagery like shared walks in the rain and the haunting presence of "jealous dreams" to illustrate the constant tension between a platonic reality and a romantic "what could be." This internal struggle is most visible when the narrator admits that in their mind, the f...

  In "Love Letter to Shawn," Maria Bonilla delivers a track that feels like a personal diary entry set to music. It’s a song that celebrates the "quiet revolution" of staying true to oneself while being deeply in love. The standout element of the song is the chorus. The line "you make me feel like a fool for you" is an infectious hook. In songwriting, admitting "foolishness" is a classic way to show total devotion, and Bonilla uses it here to create an emotional centerpiece that feels both vulnerable and triumphant. The song sits in a sweet spot between 90s pop-rock sincerity and modern indie-pop. There’s a touch of Billy Joel’s storytelling combined with a modern, rebellious edge (the "revolution" in the eyes). It feels like the kind of song that starts with a simple arrangement—perhaps a driving piano or a steady drum beat—and builds into a lush, full-band finish. "Love Letter to Shawn" is a song about the strength found in ...

  In this interview, we chat with emerging artist Chay Swan to discuss the creative process behind his debut single, "Kayfabe," the influence of professional wrestling, and his approach to independent music production. Tori: Your debut single Kayfabe draws inspiration from professional wrestling and explores themes of split personalities. What drew you to this subject, and how did you translate it into music? Chay: It’s been such a huge interest since I was a kid, everything about it. I had all the games on Xbox when I was young and went to see it live as an adult. I wanted to write a song about it but also kinda hide it and make it subtle at the same time. I wrote it as I went along recording it like I do with most of my music, it just came sorta naturally and didn’t have much planning I suppose. Tori: You handle every aspect of your music production—from recording to mastering—on your own. How does working in isolation shape the emotional tone and imperfections in your soun...

  Iggykad’s music is a unique blend of gritty 90s Hip-Hop and haunting UK electronic textures, shaped by his move from the UK to rural Germany. His latest project, WINDY IN THE SMOKER ZONE, captures themes of isolation, imperfection, and introspection through slowed-down, atmospheric soundscapes. In this interview, he shares how changing environments, the spirit of New York rap, and his creative process come together to create music that feels both raw and deeply personal. Tori: You’ve moved from the South of the UK to rural Germany. How has that shift in environment and physical "distance" influenced the scale and mood of your newer productions?  Iggy: I think since I’ve lived here for just under 7 years I’ve sort of just made do and my most recent projects have been something of a reflection of just that - basically justhaving gotten used to the whole process in “I’ve been here this long and integrated as well as I ever could so it is what it is”. I recently moved out i...

 “Drive” by Lame Sagittarius is a captivating blend of introspective lyricism and vibrant 1980s-inspired synthpop that takes listeners on a sonic and emotional journey. The song’s upbeat, shimmering synth layers and driving rhythms recall the iconic sound of Madonna’s 80s hits, evoking the electrifying pulse of neon-lit city nights and the thrill of escape. Lyrically, “Drive” explores the restless urge to break free and seek new horizons, with lines like “don’t expect things to change just because you went and fleed” grounding the song in a thoughtful reflection on the tension between running away and facing one’s challenges. The repeated imagery of “fly through neon City Lights” and “no we're not aligned with great designs” captures a rebellious, free-spirited attitude that rejects predetermined paths in favor of self-discovery. This combination of nostalgic synthpop energy and honest, minimalist lyrics creates a compelling anthem that invites listeners to both dance and reflect. ...

 Crampt by Current Red is a haunting and cinematic exploration of displacement and control, weaving together surreal imagery and sharp social commentary. The EP opens with the ethereal "Bevy," which utilizes a recurring "swan" motif to represent a desperate need for escape, before pivoting to the biting cynicism of "Suppressor," where the narrator describes a manipulative relationship defined by "strings wrapped round your hands" and a stifled identity. This tension culminates in "Cozmology," the emotional anchor of the record, which captures a protagonist struggling with a fading "sense of direction" while pleading for "much needed attention" through a "case in point rule of action". The project concludes with the chaotic, sci-fi-infused "Phase 26," shifting the focus to a world of "missiles" and "air raids" that reflects a broader "war with our lies". Collectively, ...

  In this exclusive conversation, we sit down with multidisciplinary artist Ali Saneei to explore the raw, experimental world of his music. Known for his "stream-of-consciousness" recording style and his work in both the indie game scene and standalone alternative music, Saneei opens up about the vulnerability of "outsider music," the technical challenges of unscripted composition, and his ambitious upcoming projects for 2026. Tori: Your music is often described as being in the underground and alternative genres. How do you feel these labels capture the essence of your sound, and what musical boundaries are you most interested in pushing within those spaces? Ali: I feel they are accurate labels because a big challenge with my music is that it’s hard to say what genre it exactly is. Underground, alternative, lo-fi, and even indie genres are broad enough to include the “weird” and unconventional songs I make, while almost specific enough to quickly convey the overall ...

   Fox Grotto’s Get In is an album obsessed with the concept of "space"—the physical spaces we occupy, the mental spaces we retreat to, and the distance between who we are and who we want to be. Across eleven tracks, the band crafts a world that feels both intimate and expansive, anchored by Matt and Nick's versatile vocals and a production style that favors "feeling" over technical perfection. The album opens with "Corduroys," a track that sets a nostalgic tone. Lyrically, it feels like a soft-focus memory, using tactile imagery to ground the listener. This leads into "Come Down" and the standout single "Daydream," which serve as the emotional core of the first half. These songs explore the tension between reality and escapism, with "Daydream" in particular capturing the hazy, slightly disorienting sensation of losing oneself in thought to avoid the "bricks and bones" of everyday life. As the record progresses, ...

 "Talking" is a powerful look at what happens when one person in a relationship starts to outshine the other. Maisie Jean uses sharp, back-and-forth lyrics to show the gap between her actual success and her partner’s empty promises. While he spends his time making big claims and "talking" about his future, she is actually moving forward. The song perfectly captures that frustrating feeling of being held back by someone else’s jealousy and realizing that their "big plans" are just a way to hide their own insecurities. ​The best part of the track is how the power shifts by the end. It moves from her feeling like she has to apologize for her talent to a place where she completely takes charge. In a clever twist at the finish, she takes the very goals he was bragging about and claims them for herself. It’s a relatable, punchy anthem about outgrowing a partner who is more in love with their own image than they are with your success. Stream Talking here! 

  Following the release of their debut EP, flowers, the Dublin-based trio Raining in December is carving out a unique space in the alternative scene. By seamlessly stitching together the technical aggression of metalcore with the ethereal textures of J-rock and post-rock, Vincent, Eoin, and Willow have created a cinematic listening experience that is as chaotic as it is beautiful. In this interview, we dive into the narrative "movie" behind the EP, their cross-continental influences, and the evolution of their sound. Tori: Your debut EP is titled flowers . Given the intensity of your sound—incorporating elements of metalcore and post-rock —what is the significance of choosing such a delicate, natural title, and how does that contrast reflect the themes within the music? Vincent: I like flowers and when I learned they can have meanings and carry emotions I knew I wanted to incorporate flower varieties to the EP. The title felt right to me when we were at the naming stage, it ...

  In this interview, Logan Grey, an emotional singer-songwriter whose work blends hip hop, pop punk, and alternative sounds, discusses the deeply personal experiences that fuel his music. From navigating complex family dynamics to coping with CPTSD, Logan shares how vulnerability serves as his greatest strength and how he aims to create a sense of community and healing for his listeners. Tori: How do you approach the songwriting process to ensure both the emotional depth and the musical structure are equally strong? Logan: Thank you for this question, my process to ensure the emotional depth comes across is truly having an unfiltered self-reflection perspective and really focusing on the core emotion. It could be anything from reminiscing on sad family memories or that you feel stuck in a toxic relationship and need to walk away. I focus on my true emotions and experiences and then I have a library of guitar melodies and drums that I create during the song-writing process. Sometim...